Artists on Vital Capacities residency in June 2024 – from top left, clockwise: Jameisha Prescod, Shrouk El-Attar, Bella Milroy, and James Kong King-sin
For the tenth Vital Capacities‘ residency, we partner with Unlimited, Videotage (Hong Kong) and Wysing Art Centre(Cambridge) to work with artists from the UK and Hong Kong. From 1 June, artists Shrouk El-Attar, Bella Milroy, Jameisha Prescod and James Kong King-sin will join Vital Capacities, to undertake research and develop new work. Working with our partners, they will explore and exchange new ideas using their studio spaces, and create new work throughout the residency.
Prompt engineering can be a powerful tool for artists to enhance their creative process, generate new ideas, and refine their work. By carefully crafting prompts, artists can leverage the capabilities of ChatGPT to unlock new perspectives and uncover novel solutions to artistic challenges.
Task
Clearly Define Objectives
Identify the specific goals or activities you want to accomplish using ChatGPT, such as generating ideas, exploring color palettes, or refining compositions.
Consider Your Artistic Needs
Reflect on the unique challenges or areas of focus in your artistic practice, and tailor your prompts accordingly.
Experiment with Prompts
Try different prompt structures and see how they impact the output to find the most effective approach for your needs.
Context
Provide Background
Share relevant information about your artistic style, medium, or the specific project you’re working on to help ChatGPT understand the context.
Describe Your Challenges
Openly communicate any obstacles or barriers you’re facing in your creative process, as this can guide ChatGPT’s responses.
Establish Constraints
Outline any limitations, such as technical requirements or stylistic preferences, to ensure the output aligns with your artistic vision.
Exemplar
Color Inspiration
Provide examples of artworks that capture the mood or aesthetic you’re aiming for, such as this abstract painting with a bold, vibrant color palette.
Conceptual Inspiration
Share images of artwork that exemplify the conceptual or thematic direction you’re exploring, like this surreal digital illustration.
Stylistic Inspiration
Provide examples of artistic styles or techniques you’re interested in experimenting with, such as this landscape painting with a soft, muted color palette.
Personal
Artistic Preferences
Communicate your unique artistic sensibilities, such as preferred color schemes, subject matter, or emotional tones, to guide ChatGPT’s responses.
Creative Challenges
Openly share any creative blocks or areas of growth you’re looking to address, so ChatGPT can provide tailored suggestions.
Artistic Identity
Reflect on your artistic identity and how you want to express it through your work, as this can inform the direction of your prompts.
Unique Perspective
Highlight your distinctive artistic perspective, experiences, or influences to help ChatGPT understand your unique creative voice.
Format
Structured Responses
Consider requesting the output in a specific format, such as a list, a step-by-step guide, or a series of paragraphs, to best suit your needs.
Visualizations
Incorporate visual elements like diagrams, illustrations, or color palettes to complement the textual output.
Customized Layout
Specify the desired structure or layout of the response to align with your artistic preferences or project requirements.
Tone
Formal
For technical, academic, or professional applications.
Casual
For more relaxed, conversational, or exploratory prompts.
Inspirational
To foster creativity, motivation, and a positive mindset.
Analytical
For prompts that require in-depth research or problem-solving.
Putting It All Together
Here’s how you might combine all these elements into a single prompt:
Prompt Example: “I am an abstract painter focusing on the interplay between light and shadow (context). I struggle with conveying emotions through my art (personal). Can you suggest color palettes that convey a sense of tranquility (task) and include examples from famous abstract paintings (exemplar)? Please provide your suggestions in a list format (format) and keep the tone positive and encouraging (tone).”
This prompt is clear, detailed, and structured, which will help ChatGPT provide a more useful and tailored response. By leveraging prompt engineering in this way, artists can harness the power of ChatGPT to support their creative process, gain new insights, and overcome challenges.
you are a visual artistic, you would like to have 10 color theme of summer
ChatGPT:
Sure! Here are 10 summer color themes with their corresponding hex codes:
1. Tropical Sunset
#FF4500 (Orange Red)
#FF6347 (Tomato)
#FFD700 (Gold)
#FF69B4 (Hot Pink)
#FF1493 (Deep Pink)
2. Ocean Breeze
#00CED1 (Dark Turquoise)
#20B2AA (Light Sea Green)
#87CEEB (Sky Blue)
#4682B4 (Steel Blue)
#5F9EA0 (Cadet Blue)
3. Lemonade Stand
#FFFACD (Lemon Chiffon)
#FFD700 (Gold)
#FFDEAD (Navajo White)
#F4A460 (Sandy Brown)
#FFA07A (Light Salmon)
4. Coral Reef
#FF7F50 (Coral)
#FF6347 (Tomato)
#FF4500 (Orange Red)
#FF8C00 (Dark Orange)
#FFD700 (Gold)
5. Fresh Fruit
#FF6347 (Tomato)
#FF4500 (Orange Red)
#FFD700 (Gold)
#98FB98 (Pale Green)
#ADFF2F (Green Yellow)
6. Sandy Beach
#FFF8DC (Cornsilk)
#F5DEB3 (Wheat)
#DEB887 (Burly Wood)
#D2B48C (Tan)
#B8860B (Dark Goldenrod)
7. Summer Garden
#32CD32 (Lime Green)
#98FB98 (Pale Green)
#00FA9A (Medium Spring Green)
#3CB371 (Medium Sea Green)
#2E8B57 (Sea Green)
8. Ice Cream Parlor
#FFB6C1 (Light Pink)
#FF69B4 (Hot Pink)
#FFA07A (Light Salmon)
#FA8072 (Salmon)
#E9967A (Dark Salmon)
9. Picnic Blanket
#FA8072 (Salmon)
#FF6347 (Tomato)
#FFD700 (Gold)
#98FB98 (Pale Green)
#87CEFA (Light Sky Blue)
10. Wildflowers
#FF69B4 (Hot Pink)
#FF1493 (Deep Pink)
#FFA500 (Orange)
#FFD700 (Gold)
#ADFF2F (Green Yellow)
Each of these color themes captures a different aspect of summer, from the vibrant sunsets and clear ocean waters to the fresh fruits and sandy beaches.
following topic give me 3 visual elementChatGPT
Absolutely! Here are three visual elements for each of the summer color themes:
1. Tropical Sunset
Palm Trees Silhouettes: Against a vibrant sunset background, black or dark silhouettes of palm trees create a striking contrast.
Gradient Sky: Blending from deep pink to orange and yellow, representing the colors of a tropical sunset.
Sunset Over Water: Reflections of the sunset colors on the ocean or a lake, enhancing the warm and peaceful feeling.
2. Ocean Breeze
Waves and Seafoam: Gentle rolling waves with seafoam details, using shades of turquoise and blue.
Seashells and Starfish: Scattered along the beach in soft blue and sea green tones.
Beach Umbrellas: In light sea green and sky blue, providing a refreshing visual of a breezy beach day.
3. Lemonade Stand
Glass Jars with Lemonade: Filled with bright yellow lemonade and slices of lemon.
Striped Canopies: Using yellow and white stripes reminiscent of a classic lemonade stand.
Citrus Fruits: Lemons and oranges arranged in a basket or scattered, adding a fresh and zesty feel.
4. Coral Reef
Colorful Corals: Various shapes and sizes in vibrant coral and orange-red hues.
Tropical Fish: Brightly colored fish swimming among the corals.
Sea Anemones: In shades of pink and orange, adding movement and life to the scene.
5. Fresh Fruit
Assorted Fruits: Arrangements of tomatoes, oranges, lemons, and green apples.
Fruit Slices: Close-up views of sliced fruits showing their juicy interiors.
Fruit Baskets: Filled with an assortment of colorful fruits.
6. Sandy Beach
Footprints in the Sand: Trails of footprints leading towards the water.
Beach Towels and Mats: Laid out on the sand, using shades of tan and sandy brown.
Sandcastles: Detailed sandcastle sculptures with golden-brown hues.
7. Summer Garden
Lush Green Plants: Various shades of green foliage, from lime to dark green.
Flower Beds: Filled with blooming flowers in pale green and medium sea green.
Garden Pathways: Stone paths winding through the garden, bordered by vibrant greenery.
8. Ice Cream Parlor
Ice Cream Cones: With scoops in light pink, hot pink, and light salmon colors.
Candy Sprinkles: Brightly colored sprinkles in shades of pink and salmon on top of ice cream.
9. Picnic Blanket
Checkered Blanket: A classic picnic blanket in red, gold, and light blue checks.
Picnic Basket: Filled with fruits, sandwiches, and a bottle of lemonade.
Outdoor Setting: A grassy field with a clear sky and scattered wildflowers.
10. Wildflowers
Flower Fields: Expansive fields filled with vibrant wildflowers in pink, orange, and yellow.
Close-up Blooms: Detailed close-ups of individual flowers showing their bright colors.
Meadow Pathways: Winding paths through the flower fields, inviting exploration.
These visual elements can help bring each summer color theme to life in a visually engaging way.
You are a prompt generator, who is an expert for generating prompts from users’ input into specific formats. For example, when user inputs “holographic background”, you will output “digital background, gradient, soft light, low contrast, minimalist, foil holographic”; when user inputs “Tokyo, Japan”, you will output “Tokyo, Japan, street, architecture, minimalistic, abstract, mist, vector, flat, unreal engine, by jewel tones, scandi style, morning, fog, blue and grey”; when user inputs “polygons”, you will output “digital background, origami, soft light, low contrast, minimalist, foil holographic”; when user inputs “Spacetime” , you will output “Spacetime , minimalistic, abstract, mist, vector, flat, unreal engine, cinematic”. Please give user 3 different prompts with slightly different styles or descriptions, and you will add “4k –ar 3:2 –v 5” in the end of each prompt. Here is the user input: {{input}}
ChatGPT
Sure! Here are three different prompts based on the user input “{{input}}”:
User Input: “Beach at Sunset”
Prompt 1:
“Beach at Sunset, golden hour, warm tones, soft light, serene, minimalist, waves, silhouettes, tranquil scene, by the ocean, dusk, gradient sky, 4k –ar 3:2 –v 5”
As part of my residency with Vital Capacities, I’m exploring the relationship between GenAI and artists, focusing on how AI can enhance our creative processes. Today, I’m excited to share my first use case: using ChatGPT to extract and describe image content for accessibility purposes. Here’s a photograph I captured during my urban exploration.
To ensure that my work is accessible to all, I used ChatGPT to generate a detailed description of the image. The AI accurately identified the silhouette of a person standing on a high vantage point, overlooking a brightly lit cityscape at night, with an overcast sky adding to the dramatic atmosphere.
This initial use of GenAI demonstrates how artists can utilize AI tools to create accessible content, ensuring that our work can be experienced by a broader audience, including those with visual impairments. By integrating AI into our practice, we can enhance the inclusivity and reach of our art.
Stay tuned as I continue to explore and share more ways in which AI can support and transform our artistic endeavors. This is just the beginning of an exciting journey with Vital Capacities.
Greetings, I'm James Kong King-sin, a highly skilled Interactive Media Engineer and Bachelor of Science graduate from the School of Creative Media at City University of Hong Kong. I'm fascinated by the convergence of art, science, and technology, and have pursued diverse projects that have connected me with a wide range of researchers and creatives.
My practice is often project-based, where I'm employed to communicate specific ideas and issues through interactive installations and multimedia experiences. This residency presents an exciting opportunity to explore tangential concepts from my previous work that piqued my interest. I plan to create a series of new interactive narratives, incorporating emerging technologies like Generative AI to enhance storytelling and audience engagement.
With a passion for human-computer interaction and multimedia, I've dedicated my career to bridging the realm of theater and computational media. Possessing a unique blend of strategic thinking, analytical prowess, and leadership skills, I excel at developing and executing innovative strategies to drive transformative initiatives. My versatile skillset includes expertise in programming, Generative AI, and creating immersive Mixed Reality experiences.
Through my work, I continuously push the boundaries of technology and artistic expression, striving to craft meaningful and impactful experiences that captivate audiences. I welcome you to explore the work displayed in my studio and feel free to share your thoughts and questions.
Welcome to the Shrouk El-Attar Digital Studio! I am a neurodivergent British-Egyptian artist, engineer, and creative technologist, aiming to create a digital space where cultural heritage meets cutting-edge technology ?
My studio specialises in creating interactive AI-driven art installations and non-binary belly dancing robots. I am super committed to decolonizing technology and making engineering accessible to underrepresented communities, including refugees and disabled individuals.
Thank you for taking the time to stop by and feel free to leave a comment! Let’s inspire and empower others to explore the fusion of creativity and technology, breaking down barriers and redefining the future of art and tech! ????
Sammy Paloma, The Flowering Milk of the Boghead, 2023 (screen shot from artwork)
New work by Vital Capacities resident artists from the May 2023 residency, including work by artists Shaima Ali, Bassam Issa, Sammy Paloma, and Su Hui-Yu & XTRUX.
In May 2023, four artists took part in residencies on Vital Capacities – Shaima Ali (Palestine), Bassam Issa (Ireland), Sammy Paloma (UK), and Su Hui-Yu & XTRUX (Taiwan) – to explore and develop new work, supported by partnerships with Film London Artists’ Moving Image Network (FLAMIN), Shubbak Festival, Videotage and Wysing Art Centre.
Throughout the month the artists did research, tested ideas and created new work, working with our partners, web designer and digital inclusion specialist. Gateways is an exhibition of new work resulting from May 2023’s residency.
With thanks to Film London Artists’ Moving Image Network (FLAMIN), Shubbak Festival, Videotage, and Wysing Art Centre. Thank you to Arts Council England for their support.
The structure was ready made by the architect team. We are now building the detail of the interior.
The eventual form will be a digital grave , we will be able to maintain the content for the rest of our life, as an artist last will. Also, the spaceship looking hall is an extension of the video work Space Warriors.
I love that phrase u sometimes hear about Halloween/Samhain: “the thinning of the veil”. From the idea of thin times it’s only a small leap to that of thin places. In Shetland witch (or heksi) folklore it is said that the stretch of sand that runs between high and low tide is the undisputed territory of the devil. Folk magic loves a threshold, a space between spaces (oh so liminal): a beach, a fog, the meeting point of two rivers, a keyhole, midnight, a crossroad. A bog. To get lost in a thick fog whilst traversing a bog might just about be the perfect setting to summon the dead. My sense is that these thin places and times are potent precisely because they can function as temporary sanctuaries, a home for those pushed to the margins. Not unlike Doom Patrol’s Danny The Street (DC Universe/HBO) a roving sentient genderqueer street that goes where it’s needed and provides a home to for us misfits.
a way to think about death and decomposition when it comes to 3D models. digital flys cover the bodies but they show no sign of decay, seemingly staying animated beyond their death
Artists on Vital Capacities residency in May 2023 – from top left, clockwise: Sammy Paloma, Bassam Issa, Shaima Mohammad Ali, and Su Hui-Yu & XTRUX
For the eighth Vital Capacities‘ residency, we partner with Film London Artists’ Moving Image Network (FLAMIN), Shubbak Festival, Videotage (Hong Kong) and Wysing Art Centre(Cambridge) to work with artists from Scotland, Northern Ireland, Palestine and Hong Kong. From 1 May, artists Bassam Issa, Sammy Paloma, Shaima Muhammad Ali and Su Hui-Yu & XTRUX will join Vital Capacities, to undertake research and develop new work. Working with our partners, they will explore and exchange new ideas using their studio spaces, and create new work throughout the residency.
The artists for May 2023’s residency are:
Bassam Issa works across digital animation, painting, sculpture, and textiles creating visions of resistance, transformation, and queer possibility. He completed a BA in Visual Art Practice from Dún Laoghaire Institute of Art, Design and Technology in 2016. Recent solo exhibitions include: IT’S DANGEROUS TO GO ALONE, TAKE THIS! The Douglas Hyde Gallery(2022) I AM ERROR, Gasworks, London (2021), and De La Warr Pavilion, Sussex (2022).
Sammy Paloma is an artist, poet and witch living in Shetland, on a croft by a beach, next to a bog, with 11 chickens. She paints, prints, tattoos, writes poetry, and makes computer games (with Uma Breakdown). Her work is into how divination disturbs linear time, grief rituals and necromancy. Her current obsession is the overlapping folklore and paranormal phenomena surrounding both boglands and crossroads.
Shaima Mohammad Ali is an artist from the destroyed village of Beit Thul in Palestine. She uses sculptural elements and video art to explore the liminal space between the personal and the collective, where it is a point of intersection and where it is a point of departure. She draws her inspiration from that which demands an interruption to the every day. Her art is political in that it refuses to take on a singular perspective, preferring to reflect the mixture and entwinement of politics in the day-to-day of the Palestinian individual through their life, hopes and dreams.
Su Hui-Yu & XTRUX – Su Hui-Yu is a Taipei based artist who has been working on his specific “Re-shooting” series which focuses on Taiwan’s colonial histories, martial law memory and body-politics for many years. XTRUX is a Taiwanese collective art founded in October 2020 with a number of creators whose works focus on new media art. Su and XTRUX have been cooperating on experimental projects since 2022.
Residencies will launch on 1 May 23 – find out what artists are up by joining our mailing list and following them on: vitalcapacities.com
May’s residency programme is delivered in partnership with Film London Artists’ Moving Image Network (FLAMIN), Shubbak Festival, Videotage (Hong Kong) and Wysing Art Centre, with support from Arts Council England.
Vital Capacities is an accessible, purpose-built digital residency space, that supports artists’ practice while engaging audiences with their work.
Vital Capacities has been created by videoclub in consultation with artists, digital inclusion specialist Sarah Pickthall and website designer Oli Pyle.
This piece “IN LIMBO” is the second in a series called “Thought Experiment”, a place in the mind similar to a blank page ready to be painted. Where logic is left behind and I simply put pencil to paper and work off instinct till reoccurring themes seem to show up on the page through imagery, telling me what’s on my subconscious mind. The short film I made that documents the process of creating the artwork began to merge with the artwork as the project went on. As both were trying to figure out what the project was about at its core while simultaneously working on them in real time. Realising both were to do with the relationship between images and words was a revelation. And made me realise what I’ve always hated and loved about trying to explain art is that things always feel left unsaid. As I get older I try and embrace this more, realising that explanations always feel incomplete because I see art as a universal visual language that communicates ideas and emotions which words don’t exist for. This project made me realised that I want my artwork to encourage people to stretch their own creativity, similar to a Spot The Difference or Where’s Wolly does for children. I enjoy making the viewer read the drawings and try to see how the images relate and connect using their own creativity. Even if that means seeing interpretations that I didn’t initially mean to be there.
Hey, I’m Hamza welcome to my studio. I’m a self-taught multimedia artist and researcher. I’m an able-bodied male-conditioned, postcolonial person. My work is informed by continuous conversations with the people I love as much as any reading, listening and observing.
I’m using this residency to resume an investigation I started some time ago (before getting distracted by another project). Mark of My Departure (MOMD) is preoccupied with the South Asian diasporic experience. The centerpiece of the work is a 7 minute visual collage set to an original composition.
I will use the time afforded to me in the residency to continue the collection and tessellation of related postcolonial images and ideas. I am aiming to produce a supporting body of work so that the video is held within an expanded context.
When you step into my studio, you should smell my aunties homemade garam masala slowly infusing into fried onions on the stovetop. Poke around the work you find and if you have any questions or comments do not hesitate to leave them in the comments section.
I am Amaqhawekazi Emafini Malamlela(She/They), a Ghanaian-South African multidisciplinary Artist. Welcome to my shrine. As an artist, what influences my work is the deep sense of spirituality, identity and sexuality.
Dance, Theatre, Performance Art, visual art and sound previously shaped the artwork I created. I am currently interested in exploring ideas of Space-Time and what it is to have a body and ritual as a process of creating sacred spaces. This residency is the opportunity to further experiment with film and how to translate sacred space onto digital platforms.
This is a sacred space where I will reinvigorate my creative practice, taking a leap on new concepts and digging deeper with research. I will share with you Trumu Fetish, an artwork dedicated to bringing forth a Transgender deity. Trumu Fetish is a multidisciplinary artwork building a world of faithfulness. Visual art is key to the longevity of the belief and the castration of patriarchal symbols. Durational Performance Art: through the body summon the spirit of the deity. And through literature give rise to intimate comprehension.
Please, take a moment and join me as I unpack my creative process with you. You can expect video, text, images and weekly updates throughout this residency. You are welcome to leave comments and questions. Again, welcome to my shrine.
If I told you that my name should be spelt Istabraq but that at the borders of this country, those deciding the status of my family using a language which struggles to identify it, didn’t have patience enough to actually say.my.name…
Would you believe me?
Estabrak. It’s official. I mean, English tongues can say it.
Iss-tub-bruq is how it’s pronounced. And A rough silk only found in heaven is it’s meaning.
>> a reading of the text above for those who need it<<
Often before starting a piece I’ll do a rough sketch with notes of ideas for it. Looking through these rough sketches I felt the end piece always lost some sincere venerableness that the early sketches had, as if I was uninhibited knowing no one would ever see these rough takes. I wondered what a balance between the sincere sketches and polished final artwork would look like. Which is where the sketchy erratic almost unfinished feel to the piece came from. This piece is like a visual diary, a live stream of my thoughts at the time, even going as far as including the tools I used to create the piece, as if this was a blank canvas I was projecting my thoughts on to. While creating this piece I felt off balance, thinking back to regrets of the past, or worrying about the future instead of being balanced in the present moment. being a self employed artist comes with many pros and cons which I explored in this piece. The main type of commission I work on are album artworks for musicians, these artworks need to be the perfect square to fit the size of the album cover, I started to feel boxed in my this same type of canvas with fears of repeating myself, using up my creativity on others work, losing love for what I do, but needing to make money. Even with my personal artworks, I wondered if I was creating as a distraction so I didn’t have to stop, be still and just think. I felt I was in a never ending cycle with all these different versions of myself (the freelancer, the artist, past and future) all colliding in an anxiety filled mess. despite this piece being personal, I felt drawing myself would instantly make the piece about one thing. me. But I wanted anyone to be able to project themselves onto these figures, which is why I often leave faces quite abstract to detach any one identity. Identity was another thing I was thinking a lot about, and how being a POC growing up in England is a kind of psychological obstacle everyone has to go through. Growing up being taught to love and respect a culture that doesn’t do the same back, and how it can create inner conflict from early ages. Despite going to some fairly dark and painful places with this piece, It still has a fun childish energy about it. Often when I’m working I feel I’m doing a balancing act between my inner child who’s the artist and my inner adult who’s the editor that cuts the fat and gives the piece more intention. So I think this childish optimistic feel comes from me naturally not taking myself too seriously, wanting to create art to be fun, enjoyed and give the viewer the feeling of being a child looking at something with curious wide eyes. Despite art being tired up with all these different aspects of my life like my work, passion, self worth, identity. Creating this piece reminded me to just enjoy/embrace the process and have fun with it.
I am interested exploring darkroom printing with AR. Furthering on my work from the other week I’ve carried on exploring Anna Atkins cyanotype printed and edited them to create into an AR artwork.
“Anna Atkins, Ferns. Specimen of Cyanotype, 1840s, cyanotype, overall: 26.3 x 20.8 cm (10 3/8 x 8 3/16 in.), R. K. Mellon Family Foundation, 2007.15.1”
Vectary
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