A watercolour painting featuring a pair of Simpson-yellow arms with black chains around the wrists. The hands have long and gnarly bright green nails wriggling their way towards the sky. The chains around their wrists also extend upwards towards the sky.
The arms are splashing out of a boggy, bubbling hole in the ground. This hole of green bubbling sludge is surrounded by brown earth blooming out at it's edges.

I love that phrase u sometimes hear about Halloween/Samhain: “the thinning of the veil”. From the idea of thin times it’s only a small leap to that of thin places. In Shetland witch (or heksi) folklore it is said that the stretch of sand that runs between high and low tide is the undisputed territory of the devil. Folk magic loves a threshold, a space between spaces (oh so liminal): a beach, a fog, the meeting point of two rivers, a keyhole, midnight, a crossroad. A bog. To get lost in a thick fog whilst traversing a bog might just about be the perfect setting to summon the dead. My sense is that these thin places and times are potent precisely because they can function as temporary sanctuaries, a home for those pushed to the margins. Not unlike Doom Patrol’s Danny The Street (DC Universe/HBO) a roving sentient genderqueer street that goes where it’s needed and provides a home to for us misfits.

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