Reverberation – latest exhibition

Image represents four artists work, top left: a still image from Siphenathi Mayekiso’s film Echoes of Identity, which shows a man with bare chest and arms across his face against a blue sky; top right: a still image from Rebekah Ubuntu’s film Ecologies of Belonging (a Meditation in Progress), which shows a person standing in the centre of a sandy footpath with long grass either side, in the distance to the left if the sea and clouds in the sky; bottom right: a still image from Nadine Mckenzie’s film A Will, My Wheels and a Way, which shows a young woman sat in a wheelchair reflected in a mirror, a wall of windows shows buildings and blue sky outside; bottom left picture: a dirt track footpath leads into the distance through a field, the ground is a deep red, making the grass on the sides of the path almost black in colour, trees can be seen on the horizon in the distance with clouds and a little blue sky above.
All four artists’ work, beginning bottom right clockwise: Nadine Mckenzie, A Will, My Wheels and a Way, 2021; …kruse, Directionsgreat to Storyplace, 2021; Siphenathi Mayekiso, Echoes of Identity, 2021; artwork still, ‘Ecologies of Belonging (a Meditation in Progress)’ by Rebekah Ubuntu, courtesy of the Artist. Find Rebekah online @rebekahubuntu.

Our latest exhibition includes new work by August’s resident artists Nadine Mckenzie, …kruse, Siphenathi Mayekiso and Rebekah Ubuntu. Each artist has produced work that resonates with the work they did throughout their residency, reflecting on memory, personal narratives, experience, and movement. See the exhibition from 30 September at 11am.

01 Interview with Vishal Kumaraswamy

Words in white capital letters say: “They closed around my head and with a golden sword shaved it;” The background is dark blue, reminiscent of an early evening sky. An unidentifiable black shape is in the bottom right corner - it looks like the shadowy silhouette of treetops. The image is a still frame from an artist moving image work by Vishal Kumaraswamy called "your dataset must die" made in 2021.
Vishal Kumaraswamy, your dataset must die, 2021 (still image from video)

Jamie Wyld (videoclub & Vital Capacities’ director): Thanks for being part of the Vital Capacities residency programme! Can you say a little about yourself and your work?

Vishal Kumaraswamy: Hi, my name is Vishal Kumaraswamy I’m a Bangalore based Artist & Filmmaker. Within my practice, I work across AI, text, video, sound and performance and I look for points of convergence between Caste, Race & Technology. My works a by weaving speculative narratives & counter-mythologies in multiple Indian languages around themes of Artificial Intelligence, Gender & Labour.

Continue reading “01 Interview with Vishal Kumaraswamy”

PRESENTS exhibition – now open

The word “Presents” is written multiple times in white, with a big black bow wrapped around it. The background is a radiant, rainbow-like gradient.

PRESENTS exhibition is now open and showing on the Vital Capacities site – you can visit the exhibition, which contains eight films by 11 artists, curated by resident artist, Romily Alice Walden and COVEN collective member, Frances Breden.

PRESENTS is a screening of short video works that don’t require an abled or physically present body in order to be performative. Ten sick and disabled artists come together to expand the idea of ‘performance’, presenting work that is embodied, immediate, and present without forcing bodies to conform to ableist norms of art-making.

See the exhibition: https://vitalcapacities.com/presents/