The path is

Multi-layered digital image of paths the artist …kruse has walked along, with text from the poem, The Path Is, written by …kruse.
Audio reading of the poem The Path Is.

This had been a week of deep thinking and much doing. Most of the doing has not been about this residency though, which has been frustrating. This has been a very ovewhelming month. I’m not a summer person and August is often a rather fraught month, maybe for others too?


Anyway, there’s been a lot going on and I have found myself on a couple of occasions this week walking on the few paths I can find near my home with a feeling that is like a little half dried out sea creature crawling down the sand to the blessed water.

I think about the people in Afghanistan and their desperate scrambling for sanctuary. I think about all the people who take to the road to flee terror and danger.

Going to the path, even in my privileged life, can be necessary medicine, sanctuary, peace. I wrote this poem while walking along a path, feeling a deep need for green spaces and the peace of trees. I wanted it to feel a little bit like a prayer, particularly the ‘celtic’ lorica or caim, which is a prayer for protection, asked either for the self, or as a blessing for others. These incantations contain a lot of repetitive elements. I think many of them were written or created (most come from a time when there was very low literacy, and the loricas may have been passed on by word of mouth). They feel to me like walking poems, that is, they fit the pace and rhythm of walking.

Drawing the path 01

Prototype drawing device on Oxfordshire path

I took a prototype drawing device to Oxfordshire at the weekend. I wanted to walk down a path I knew well with the device and film it working.

This path starts at the top of the lane where we used to live when I was a small child. It’s a very significant place for me, which I wrote about on my Wayfaring blog a while ago. I wanted to revisit a path that I know well, so that my focus would be on the thing I was making rather than on the path itself.

It was odd making this drawing. I’ve made drawings like this many times before and I’m not sure how to take this work forward. Just making yet another drawing doesn’t seem like a particularly productive thing to do. On the other hand, I do love watching these drawings get made.

It was interesting filming it and I think this might be who I want the drawings to be shown. I’m still exploring that idea, but I have some concerns about making paper based drawings – it’s just more stuff in the world you know?

Defining the path – 02

dew covered brambles growing across a muddy, narrow path on a cold winters day
Winter path – …kruse 2021

When Little Red Riding Hood went into the forest did she follow a path all the way to her Grandmother’s house? Hansel and Gretel hand in hand, woke up in a part of the forest they didn’t know and it was a path, not a road that took them to the witch. Robert Frost followed the, ‘road less taken,’ but I think he was being a little grandiose there, the ‘two roads’ were in a wood and both were grassed over, so were these really roads Robert, or merely paths?
There are a great many stories and poems about roads, Edward Thomas,’ ‘Now all roads lead to France,’ is full of sadness and menace, A.E Houseman, Kipling, Walt Whitman, G.K Chesterton, all write of roads. Roads may be grand, they may be dusty, they may take you on to the hell of a war or be the same road refugees flee along seeking safety.
Roads were built for armies, and after the wars those roads remained for commerce. Trade maintained the old battle-roads, and the grandest routes still exist, cutting across continents and centuries.
Back in the day, in England, travellers were charged to keep on the ‘king’s road,’ stepping off it into the wood was trespass and punishable. But then, back in the day, the dark woods or lonely moors beside the road were the hunting places of bears, wolves and dangerous men, so staying on the road was safer anyway.
Following the road is always easier than stepping off it, especially if the road is tarmacked, a smooth skin over the mess and inconvenience of nature. And everyone knows where the road comes from and where the road goes, even if they never travel along it themselves. On the road you are in community, you follow its laws, you follow its route, on the road you are seen, on the road you are known, you are part of the crowd and that brings with it both safety and danger. Safety in numbers? Maybe (has that ever been true?). Safety from dangers lurking beside the road. Safety in that the road will bring you to food, a bed, shelter. All roads do that eventually. But there is danger on the road too, danger in being so visible, danger in following a well travelled way.

“Stay off the road,” warns Gandalf to Frodo in Lord of the Rings, knowing that it is on the road that Frodo’s enemy will seek him. Frodo takes a path through the woods, a path across open country too, but the fickle paths lead him astray. Through the woods the path changes direction and eventually it fades away altogether. This is the danger of paths. Paths are wild things. You follow a path at your peril.

A path will take you into nature, brambles snatching at your hair, mud in winter, adders in the grass, no surety of direction, no certainty of food or shelter ahead. A path invites you to have faith, someone came this way once, that’s why the path is here. It’s not community on a path, the others are too far ahead or behind for that, but there is a kind of fellowship, others have been here, once, and your solitude is a little less lonely because of them.
A path is a quiet thing. It exists because other beings have trod the way, but only a season or two without passersby and the path returns to the wild, disappears into the grass and wild flowers. A path stays open because it is wanted.

This is a path

I have created a gallery of 6 coloured photographs, inspired by the Ladybird reading books I had as a child. The colours are very saturated.

Image 1 was taken in my local park and shows a short path under a group of birch trees growing on a bank next to the access road to the park. The image caption reads ‘This is a path.’

Image 2 is a photograph of a tarmack path leading up a short hill between a row of elder people’s bungalows and a grassy verge with trees. There is no road, it is a footpath and accessible only to pedestrians. The image caption reads ‘This is a path.’

Image 3 shows a very narrow path, probably made by people and dogs, winding through some long grass and under trees at the edge of a park. It shows where people want to walk, making a path where one did not exist before. The image caption reads ‘This is a path.’

Image 4 is similar to 3, it is a photograph of a path made by people walking across the grass, under trees, in my local park. The path, which is simply a line of earth where people have trod away the grass, is wider than the path in image 3. The image caption reads ‘This is a path.’

Image 5 is a photograph of a suburban pavement running between people’s homes and a road. There are a few trees between the pavement and the road. In the near distance the back of a van can be seen jutting out from a driveway, half blocking the pavement. The image caption reads ‘This is not a path.’

Image 6 is a photograph of the access road and pavement leading to a park. A bright yellow height barrier can be seen blocking access to tall vehicles. Two cars and two small vans can be seen in the photograph, they are all parked on the pavement on the far side of the barrier. The image caption reads ‘This is a pavement. It is blocked.’

Defining the path – 01

Dictionary definitions for ‘path:’
1. a way or track laid down for walking or made by continual treading.
2. the course or direction in which a person or thing is moving.
3. a course of action or way of achieving a specified result.

For this residency I am particularly interested in the first definition, though I have a feeling that the other two definitions are going to be relevant too.

My personal definition (and there are no doubt many holes in my reasoning) is that a path is a line through a landscape along which a person or group of people can travel, generally on foot or in wheelchairs.
Once a vehicle is used, a cycle or car for instance, I think a path becomes a road. However, a track can be a path and it may be used by vehicles or pedestrians.
Then there are ‘ways’ which can also be tracks and may fall into the definition of a road. Ways are generally ancient and are used by foot traffic as well as horse drawn vehicles, for instance bridleways.. (I really like the term ‘way’ to describe a path. Both path and way have multiple meanings, and those meanings include the spiritual and esoteric).

Here I must acknowledge that how I think and write about paths, tracks and ways is totally defined by my ethnic and cultural heritage and the country in which I have lived for most of my life. I’m white British, a mix of Irish, English and a smattering of Scottish and Scandinavian. I grew up in the countryside and do not feel comfortable in urban environments, though I do currently live in a suburb of Birmingham.
My relationship to paths and ways comes from walking or living in the Cotswolds, Wales, the Midlands, Yorkshire and the West and East coast of Britain. I’m not a wild path walker, I’m a traveller of farmland and gentle hills. I’m a hobbit in all the ways that matter.

I vehemently dislike the suburbs, despite my current living situation. I get no joy walking the endless pavements around my home patch. For me, for some reason I’m struggling to define, a pavement is not a path. I mean technically, it is, but it doesn’t feel like a path. Why is that?
There is something about the feeling of containment that a path has, that a pavement doesn’t have. A pavement is an edge, a border. A pavement is a designated space alongside a road built for motor vehicles. It is conceded to pedestrians and can be taken from them at any moment, despite laws meant to protect us. Pavements might be cut by access routes and driveways, blocked by delivery vehicles and cars, used by speedy cyclists as well as those on foot or in chairs. Pavements are contested, disrespected spaces, sometimes aggressively so.

Thinking about pavements and how problematical using them can be, I realise that the paths I walk in the city or suburb are imaginary paths. I regularly follow certain routes around my home, to the shops, to a favourite park, to the bus stop or train station. These routes can be along pavements, down alleyways, across parkland, over roads. There is no physical path on the ground that I am following when I walk these routes, but there is a path inside my head. It’s more like the route marked out on a paper map where it is the pencil line that becomes the path, that makes a path across the symbolic space, where a physical path may not exist.

In conclusion and for the purposes of the work I am exploring during this residency, my definitions of a path are:
1. a path is for people, not motor vehicles.
2. a path is a line through a landscape and this line can be a physical or a conceptual path created by following a route on the ground.
3. path is not a pavement, but a conceptual path may include the use of a pavement

Dirt path

It’s not a straight path,
tarmacked and hot under sun,
it’s a dirt path,
meandering
under the oaks.

The path is
freckled with shadows,
as I am freckled.
It’s a redhead’s path,
one for
forest beings,
those who
value
concealment.

It’s a path for
being quiet on.
For walking,
softly,
with silent
footsteps.
Neatly,
along the brown, bare earth.

Dirt Path (audio version)

Curious nostalgia

It’s strange to be a visitor in a city you used to call home.
There are places; shops, cafes, buildings, whole streets that I once felt affection for, my university, my favourite cafe, the library and bookshop where I worked, all places that made this city feel like home for a while.
Walking through here today has been very odd. It’s not home any more and the old affections seem to have morphed into something closer to… curiosity? It’s hard to identify the emotion, but I feel an unexpected emotional distance from places that once evoked strong feelings.

The paths however are a different story. This city is a very busy tourist destination, and as a local I walked through it on the hunt, seeking out the quietest streets, dodging through the crowds, avoiding the tourist traps.
I, a being who is almost pathological in my desire to avoid humans, mentally mapped a whole network of quiet paths, roads, streets, snickleways and alleys to get myself through the city by the least busy, least crowded routes. I rarely took the shortest way to my destination, if a longer route was human free, or relatively so.
I can’t recall those routes just by thinking of them, I have a terrible mental memory, but coming here and re-walking them, some 13 years later, I discover that my body memory is superb. My body knows where to go, which turn to take. Even as my mind struggles to recall what is down that alley, around that corner. My body knows.

Weirdly, I feel as if the paths know me too. Buildings, attractions, shops, those things are mere curiosities now, and they care nothing for me, but the routes, the paths I walk again here, they feel welcoming, embracing.
‘Walk there, cross this road here, come down this alley, yes take that corner,’ I feel welcomed back to the old paths, welcomed into this place, this landscape…

Booklist

I’m using this space as a place to list everything I am/plan to read for this residency.

In Praise of Paths by Torbjorn Ekelund (translated by Becky L. Crook)
published by Greystone Books, Canada 2020
EAN: 9781771644952

The Old Straight Track by Alfred Watkins (Kindle edition)
published by Heritage Hunter 2017

The Old Ways by Robert MacFarlane
published by Penguin books 2013
EAN: 9780141030586

The Book of Trespass: Crossing the Lines that Divide Us by Nick Hayes
published by Bloomsbury Publishing PLC 2021
EAN: 9781526604729