Ten failed drawings

Okay, they are not exactly failures, in fact they are very lovely drawings I think. These are some of the walking drawings I have made over the last couple of weeks. Most are black ink on paper but three are on clear acetate and one is on a dried green leaf.

Black and white abstract drawing, ink on acetate. A tangle of short, straight and curved lines drawn with a brush pen.

These drawings have all been created using a very simple drawing device I made using wire, cardboard and a copper spring. I suspend a ink pen from the copper spring and take the whole contraption for a walk, the pen drawing as I move.

Black and white abstract drawing, ink on paper. A dense tangle of very short lines going in all directions but forming almost a circle. Small dots of ink decorate the edges of the drawing.

I’ve been attempting to film the process, with varying results. I bought myself an iPad, hoping for better film results, but it’s new technology for me and is currently proving quite frustrating, not least in the weird placement of the iPad camera to the far right of the device, which is really awkward in the drawing device. I might go back to my simple, but trusty mobile phone!

Black and white abstract drawing, ink on paper. Delicate, short, feathery lines made with a brush pen at the center and center top of the page, forming a roughly circular shape.

So back to the drawing board (or drawing device I should say)…

Black and white abstract drawing, ink on paper. Delicate, lines and dots form an almost triangular shape. The lines crisscross over each other.
Black and white abstract drawing, ink on paper. Close up image of a very dense roughly circular drawing made with thick, short, feathery lines going in all directions
Photograph of a dried green hazel leaf decorated with dense black ink lines in the centre of the leaf. The ink marks mostly go in the same vertical direction and cross over each other in the centre.
Black and white abstract drawing, ink on acetate. The lines go in all directions forming a roughly circular, spidery shape. The ink remains wet and forms little blobs of thicker pigment along each line.
Black and white abstract drawing, ink on tracing paper. A small roughly square tangle of thick ink lines decorates the centre of the page. One single fine line is drawn from the right edge of the page, not quite meeting the tangle of lines.
Black and white abstract drawing, ink on acetate. two ink blobs sit side by side roughly in the centre of the page. The blobs swirl in roughly circular form where they have been wiped with a cloth or rag.
The Black and white abstract drawing, ink on acetate. The image is full of movement, lines made in many different directions. The ink has not dried and has pooled in blobs along the drawn lines and in the centre of the drawing.

I am a pen

Had a very interesting, useful and inspiring (three for three!) meeting today with Jamie Wyld and access specialist Sarah Pickthall. It got me thinking not only about how to make my work more accessible online, but also led me into thinking about the walking drawings in a new way.

I wrote yesterday that I was frustrated with producing works on paper and wanted to explore something else with these drawings. At today’s meeting I suddenly saw that I could try and articulate the drawing, maybe even try to articulate it as it is happening. It’s really hard to describe my thoughts on this, but it’s about making a drawing become more three dimensional (or four dimensional if I include time?).

I’ve always felt that a drawing can be more than a drawing. (Would it then be a drawing though, or a sculpture?) I would love to make drawings that go beyond seeing, being looked at; that you could feel, or hear, if you have hearing.

Anyway, the video below is my attempt to give a drawing a different kind of life…

Drawing the path 01

Prototype drawing device on Oxfordshire path

I took a prototype drawing device to Oxfordshire at the weekend. I wanted to walk down a path I knew well with the device and film it working.

This path starts at the top of the lane where we used to live when I was a small child. It’s a very significant place for me, which I wrote about on my Wayfaring blog a while ago. I wanted to revisit a path that I know well, so that my focus would be on the thing I was making rather than on the path itself.

It was odd making this drawing. I’ve made drawings like this many times before and I’m not sure how to take this work forward. Just making yet another drawing doesn’t seem like a particularly productive thing to do. On the other hand, I do love watching these drawings get made.

It was interesting filming it and I think this might be who I want the drawings to be shown. I’m still exploring that idea, but I have some concerns about making paper based drawings – it’s just more stuff in the world you know?

How to carry a drawing device?

Diagram sketch
Rough sketches exploring how to carry a drawing device
Another rough sketch exploring how to carry a drawing device

I did some rough sketches this morning to help me figure out how I might carry a drawing device. In the past, I’ve carried the devices hidden in a rucksack, or held in front of me and I also put devices inside paper shopping bags that other people could carry.

I think how you carry something affects your relationship with/to the thing. I usually have a rucksack on my back, so carrying a drawing device that way feels commonplace. Carrying anything in my rucksack is an ordinary everyday thing.
Holding the device in my hands changes how I think of it. Firstly the device is visible to others so the drawing it is making is a public drawing. Inside the rucksack it is a secret thing. Holding the device with two hands alters my balance as I am walking, alters my gait. The drawing is the drawing of my walk and a drawing of how I am holding the device.

What if I attached the device to my arm, or my leg? How would that feel? Would it alter the way the drawing looks from say, putting it in a rucksack?

Carrying the device like a handbag or shopping bag seems somehow neglectful, again a sort of commonplace, everyday thing.

Carrying the device cradled in my arms feels very different. Again, it would alter my gait, but it would also feel, I think, reverent.

Wearing the devices strapped to my body might make me feel very embarressed unless I disguised it in some way. I nearly always wear a dress when I am walking, so I could possibly hide it it I wanted to. Do I want to?