Reverberation – latest exhibition

Image represents four artists work, top left: a still image from Siphenathi Mayekiso’s film Echoes of Identity, which shows a man with bare chest and arms across his face against a blue sky; top right: a still image from Rebekah Ubuntu’s film Ecologies of Belonging (a Meditation in Progress), which shows a person standing in the centre of a sandy footpath with long grass either side, in the distance to the left if the sea and clouds in the sky; bottom right: a still image from Nadine Mckenzie’s film A Will, My Wheels and a Way, which shows a young woman sat in a wheelchair reflected in a mirror, a wall of windows shows buildings and blue sky outside; bottom left picture: a dirt track footpath leads into the distance through a field, the ground is a deep red, making the grass on the sides of the path almost black in colour, trees can be seen on the horizon in the distance with clouds and a little blue sky above.
All four artists’ work, beginning bottom right clockwise: Nadine Mckenzie, A Will, My Wheels and a Way, 2021; …kruse, Directionsgreat to Storyplace, 2021; Siphenathi Mayekiso, Echoes of Identity, 2021; artwork still, ‘Ecologies of Belonging (a Meditation in Progress)’ by Rebekah Ubuntu, courtesy of the Artist. Find Rebekah online @rebekahubuntu.

Our latest exhibition includes new work by August’s resident artists Nadine Mckenzie, …kruse, Siphenathi Mayekiso and Rebekah Ubuntu. Each artist has produced work that resonates with the work they did throughout their residency, reflecting on memory, personal narratives, experience, and movement. See the exhibition from 30 September at 11am.

Interview with Jaene Castrillon

Installation view of an exhibition. On the left of the image is a tree-shaped collage of many, many black and white images (it's not very clear as the images are small, but some are portraits of people) - they are lit in a sunshine yellow light. The floor of what is assumed to be a gallery is chrome, and reflects the rest of the room. 12 TV monitors make a wall on the right of the image, on 2 screens are an animation of a man drinking from a bottle, on another is a hand touching the screen, other screens are whited out or unclear. On a On the wall and written over the photos in large handwriting is written: I don't want to alarm anyone but I think there's a lil alkyhol in the..." unreadable from there.
Jaene F. Castrillon, Perpetual, 2015 (installation) – image courtesy of the artist

Jamie Wyld (Vital Capacities director): Thanks for being part of the Vital Capacities residency programme! Can you say a little about yourself and your work, perhaps in relation to what you’re thinking about doing during the residency?

Jaene Castrillon: I am a 2Spirit interdisciplinary artist, activist, author & award winning filmmaker who explores my relationship to the world through Indigenous teachings, ceremony and the wisdom of the land. I describe myself as a settler to Turtle Island of mixed heritages (indigenous Colombian & Hong Kong Chinese) who was raised on the teachings of Elder Isaac Day of Serpent River First Nations.

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