Since the start of the residency, I’ve had these flashbacks to making in 2020. The Zooms and online uploads and sharing screens. These are all embedded in our daily lives now but the exclusivity of it in this residency really reminds me of that time. I think perhaps some clues about how to approach this month might lie in those flashbacks.

I thought back to work I had made then and thoughts I had about my practice and how it changed. There was something about being able to work entirely from my immediate surroundings (home) or my inner thoughts and memories. For my time here, I would really like to draw on that. It feels like a gentler way of working? 

I went back to some drawings from 2022 which were my quick interpretations of instructional images. I always found it tricky to explain what I liked about them or their function within my practice. Fast forward to last night and I think it finally clicked (better late than never!) that my translation of them into drawing seems to soften them and give them a tenderness which would hopefully say something about how those actions feel?

A pencil sketch divided into two panels, each depicting a person slouched in a large, cushioned armchair. In the top panel, the person sits with their legs crossed, leaning forward with their head resting on one hand, appearing tired or contemplative. In the bottom panel, the same person is reclined further back in the chair, with one leg stretched out and the other bent. Their head is tilted slightly backward, and they appear more relaxed or possibly asleep. The chair remains consistent between both panels, with simple shading to define its form.
Drawing of a recliner armchair in two different positions
A black-and-white pen sketch showing a series of repeated hand gestures between two people, arranged in a 2x4 grid across two pages. Each panel features a pair of hands interacting gently—holding, touching, or clasping forearms and wrists. The gestures convey tenderness, support, or examination, with one set of hands often initiating touch while the other remains passive. The figures wear long sleeves, and the shading is minimal, focusing on the contours and emotion in the hand movements.
Repeated drawings from an illustration of a hand massage technique from 1910s book on Massage Therapy

< Back

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.